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      Microphone compressor settings reddit. If you do then adjust it down a bit more.



      • Microphone compressor settings reddit Hi so whenever I record horror games for my channel my mic tends to silence and cuts off the screams when I play. You'll have to play with the settings, but I use the multiband compressor with a tweaked broadcast preset and then sweeten it with the parametric EQ. For example, tracking a raw vocal: Up to 7 db of compression on the way in 3-6 db of compression on the track within pro tools 3-6 db of compression on the vocal bus 3-6 db of compression on mix bus These are arbitrary and general numbers, but i wish more people specified WHEN the compression their talking about is getting applied. Also, check different frequencies on your de-esser. I find an attack around 8-15ms (depending on vocalist and style), lets just enough of The manual for your receiver says dynamic volume is a range control that works with XT32. I will show you how to layer your filters on your mic audio input source for best sounding voice settings for your Twitch or YouTube live streams, all cost nothing. I hope this robot issue is fixed with my setting but don‘t forget to decrease the „High-Pass“ down to The big change that caused this problem to start is that I changed my compressor Threshold on my mic from -18dB to -4. Reaper Plugins is a suite of free VST plugins. hey y'all. ) do I even need to mess with any of these programs if my primary purpose of my microphone is ONLY twitch streaming + discord chatting with friends? are the obs settings enough? such as noise compression, noise gate, etc etc. If you're sat more than 4 or 5 handspans away from the microphone, and your room is very echoey or 'boxy' then the microphone will pick up all of this and colour the sound. There are no best settings for a microphones alone, the best settings are very specifically balanced by mic, room, and who’s voice is going into it. That is how you make your quiet sounds louder and your piercing loud sounds softer. If it's a good singer with good mic technique then you wouldn't need to worry about a higher compression ratio. Do yourself a favor and go into Discord's voice settings and manually select VAC as the mic device. The software just simply has a problem with me and I can’t fix it. While a compressor compresses the dynamic range of the audio eliminating the spikes and raising the quieter parts of audio up to the volume level of the loud parts based on your settings. Work with your engineer or bandmate to ring out the mic before the show. The dynamic compression setting is another is another form of DRC. I don’t want to blast ppl’s ears but I find it important for them to hear my highs (screaming) at good volume when I’m playing a horror game. Also seemed fine when playing Quest native games as well. Otherwise check the advanced settings and simply turn off the noice reduction, de-esser, compressor and turn down the limiter setting to avoid the initial cut in and random cut outs. I know it's not because my mic is faulty. in goxlr + obs, this means checking if you have a mic preamp like cloudlifter, checking the goxlr mic Compression I will be providing some settings that I have used for a cheap generic chinese microphone called the BM800 which can regularly be bought for about $20. Note, this filter can not do side chain compression. I set the mic gain as low as possible to get my voice about -10 db as measured by the OBS A Limiter lowers the volume momentarily of the spike. You may not even need a compressor, depending on what you’re actually doing with your voice/stream. That being said, I know BIG streamers that abuse this processing a bit. Considering how everyone kept shitting on the mic, I was honestly surprised in how good it sounded in Discord. How loud and quiet your microphone sounds is called your “dynamic range,” so a compressor would therefore reduce your dynamic range. do i need to mess with any of the Focusrite control settings to sound good? i'm only using my microphone as an input Pushing the Gate too hard on the GoXLR makes the mic sound muffled and/or the Compressor sound robotic, so the GoXLR and OBS or Reaper plugins are not enough to do the job. 60dB. So the 266 is for AFTER your microphone or microphones are brought up to line level. Feel free to use these settings as a starting point for your own mic. gain staging is the process of testing each stage with more and less volume to learn how they perform, so you can then set them all into safe ranges. Threshold - 36 db Your voice must be louder than this level for the mic to unmute Pre-open - 17 ms Attack - 3 ms The is how long your voice must be above threshold to unmute the mic Hold - 50 ms Release - 100 ms This is how long your voice must be below threshold before it mutes the mic In general a compressor is supposed to make the loudest signal on an input quieter and normalize it with the rest of the audio. There’s no way to optimal set up a mic. Or just search (there's 16863347886432 videos about compression so try maybe like, "best video about audio compression 2022"). Perhaps using a multiband compressor where you can compress different frequencies separately as well. I don't have a compressor on my Desktop audio, but it seems that the mic compressor is muffling it anyways. Funnily enough, In Discord with my friend, he sounded pretty good using the microphone, and I sounded good as well (tested in the audio settings so I could hear). There is no order that is prefect for all situations. With each shaving off a few dB, the vocals will be much more uniform and consistent, and easier to mix. Gain is gain. Reaper Plugins Here. Highly recommend it and send those developers some money. Attack and release settings are where the magic of a compressor is found in my opinion. i think you're looking for compression techniques. In either case, the result when the compressor releases is the same: dumping lots of extra gain into the chain. Hope this helps microphone placement and microphone technique can make just as meaningful a difference as EQ. Even for a mic like that where room acoustics don’t come into play like they would with a condenser, your voice isn’t anyone else’s. Using EQ (Equalization) can help round out the sound of your voice if the microphone needs it. It's set to cardioid. Especially if things don't change when you turn Blue Voice on or off. i just started streaming recently and i tend to yell a lot. 1 as well as some other filters. After some research, I learned about Voice Meter Banana. Why is a condensor microphone fighting a losing battle? I've heard a lot of people sing praise about those things, but I've never used one before. Thank you, but I’m a bit discouraged that you brought up voicemeeter. I use the compressor in OBS for this function to make the music 4 db quieter when I am speaking. One with about a 2:1 or 3:1 that's a bit slower for program level, and another fast one with a higher ratio for when shit gets going. The best option would be to get an XLR mic, feed it into an amp, amp into a compressor (limits background noise), and then compressor to mixer. To address your other question: you should be choosing a mic with dynamics that sound closest to your natural voice by default. I think it's better to be familiar with how a compressor physically works and what implications that has on the EQ. Dec 17, 2021 · A short tutorial on how to setup advanced microphone settings for OBS Studio. With occasional peaks hitting 1/3, and very rarely 1/2. I think the 7300 is set up the same way. The unfortunate truth is you’re going to have to learn what these all mean. Obviously this is expensive. Windows says it only supports 16 000 Hz). Microphone volume setting set to around 45%. He'd sound good almost any way you processed him. You need to experiment and find what works for you - that is, what gives you a sound you are content with. There are typically two types of settings for this: a “soft” knee and a “hard” knee. You want unprocessed mic sound. 1176 shaving off the transients, LA2A providing consistent vocal levelling. Turn it all off. Look up "thermal compression" if this concept is new to you. You’re adding a lot of body / tone, especially on an opto like the la2a. It’s all about the skills. If you can’t get an iem together, ring out out the monitor eq moving around with the mic. Laptop mics certainly don't have the capacity a dedicated dynamic or condenser mic would, and these are the mics YouTubers are using. My mic goes through 3 effects before enering my daw. It can make or break a sound. i have the compressor set to 8:00. A good way to test settings is make a test recording with a music player paying music to simulate game noise and set everything to the lowest setting and test about 30 secs with varying noise and volume then switch it all to the highest settings and do the same. Also It’s basically a comment I made in a previous post to get the best settings for any mic using OBS Filters! Want to know how to get the best settings out of any mic using the free built-in OBS filters. Using the stock microphone I found that keeping my Mic Gain around 70% and Comp on 1 worked fine. Lastly, compressor needle, depending on how the compressor was designed, are very often liars. Before this, I had a Rode NT USB mic. I at least want my screams and reactions to be hearable by my audience instead of just silence so I would appreciate any feedback and tips to better my mic settings. true Hi I'm looking for the best settings for asmr , on 'streamlabs obs' - for streaming. My mic EQ settings are -2 bass, and +2 treble (settings near the middle work well, for me on the hand mic). You're going to want to invest in a dedicated mic. Your microphone/audio interface should have a way of setting gain at a hardware level - set this so that the loudest noise you will reasonably make (full-tilt singing, yelling, etc) doesn't go higher than the transition from yellow to red on the OBS channel meter. Settings used: Threshold: -4dB Release: Default Ceiling: -3dB • ReaGate – Plugged in-between the Compressor and Limiter, I used the gate to shape the volume envelope of the compressor. I’d use one or the other or whatever combo sounds best to you. Btw I'm not an audio expert, these settings are just a result of me experimenting a lot and doing tons of test recordings. Turn your compression back on again, and set it to 4 my eq is set +2 bass, and +2 treble using stock hand mic If it helps, I'm using a Saramonic BTW microphone because it's the only Bluetooth wireless lapel microphone I could find. What happens is as soon as I switch to my microphone with the eq changes, the mic just quickly stutters and mutes off and on every second. Lastly the mic is pretty cold when it comes to sound pickup so if need be move the mic closer to your mouth to also avoid the issue. S. So get closer to it. Others, use a program like Voicemeter banana or potato which is an amazingly useful software for live processing for both incoming and outgoing signals. I've seen countless people buying external pres that go up to several hundred dollars when all they had to do was move the mic to within a foot (or closer, preferrably) to their mouth. Honestly, getting a clean, crisp mic chain was the hardest thing to do in OBS and I spent maybe a hundred hours on it. So in Windows there is a new microphone ( cause of the USB2 connection) that I can select as a main inputdevice in Windows & this microphone is configured with the same gate/compressor settings as on the streaming PCor even with more extra's( if I please) but configured from the streampc? Hope to hear from you. 5ish mark. Chennai Managara bro there is nothing wrong with your mic. When I started talking (on discord for example) the other person couldn‘t hear the first 2-3 words and the same for when I stopped talking. Most of them have the ability to duck different frequencies. id just play with the settings until finding something that works. $50 USB will be fine for now until you move up. EDIT: Looking again and your attack should definitely not be 1ms. Noise: Reduce What makes this a mastering compressor is some of the flexibility we talked about. normalize region gain settings peak -1, compress settings such as threshold 12, ration 2. so you cant really just copy settings exactly. The green lines should be moving when you talk. You‘re welcome! Well I guess the fading in/out was a mix between EQ and compressor settings. If threshold at -20dB, and ratio is 32 and attack is 1ms, then overall volume of the source will be close to -20dB, but any whisper (all that are lower than -20dB) will be untouched. Using a condenser live always results in moving the players a little further upstage than I would with a close-mic/DI scenario. Set to fast attack fast release, compress heavily and now you have tons of tail from the piano. Once the Plugin is selected you will want to click “Open Panel” to adjust your compressor settings. Shout into it until it doesn't or just barely clips. That is because a compressor takes quiet sounds and makes them louder and takes loud sounds and makes them quieter (in a way). Settings: Noise Reduction: 10 dB. The big two are EQ and compression. its propably not OBS but your microphone that cuts out, but i can be wrong without seeing your setup. Ever wonder why your mic audio is too low? This post focuses on what a compressor is and how to set up the free OBS compressor audio filter. It is the final gate to prevent clipping and boosting with EQ after compressor is likely to create clipping. It doesn’t say as much about dynamic compression. Edit: Btw. It use to sound so clear and crisp, like an asmr channel’s microphone, but after the update it now sounds like a crappy mic again, like I can hear white noise as I talk and it sounds like I’m talking over a pilot’s radio. Tube - warmth, colour, harmonics - tend to have slower attack and releaseOptical - includes a light element - the more light the more attenuationFET - emulate tube sound but with transistors - fast, clean reliableVCA - fast and punchy Think a piano track. For program material, i use ToneBoosters BusCompressor (in their free plugin package on website) set to upward compressor mode, and dial in the weird-but-right settings one might use on an upward comp. Audacity recording setting se to 91%. Now, add a compressor filter to your mic (you could graduate to using VST fx, but for now we will use the horrible included compressor to demonstrate). Your attack and release comp settings can really accentuate sibilance. And you do that with a dynamic range compressor which the "Compressor" effect. This will always be your last kind of compressor. I could have very well had no Gate but my keyboard would get annoying. turn down your mic volume on the yeti, itself. Best GoXLR Mic Settings | Gate, EQ, Compressor, & DeEsser In this article, we're sharing the best GoXLR mic settings for live streaming that will ensure your voice sounds clear and intelligible over game noise, music, and other sounds featured in your stream. x Plug-in. So be careful about that. Adding more gain or compression is also going to boost all of the noise from your room and people are going to complain about who's mic is making constant hiss. And keep experimenting with proximity to 4. Have a reason to use eq or Compression, don’t just use them because you can. As with most things everyone wants a one size fits all solution but generally those are only good starting points and you should tweak your settings for each recording (unless you're a pro at maintaining even volume throughout) to make it work best for you. Probably should double dip for compressing range though. threshold i leave at 0dB until they get on the mic and i dial that first so the compressor starts clamping on the louder half of what they are doing. 1 My sound is still quiet, where should I add more gain? Do I add in the Limiter? Does anything else look off?. . Also remember that the equalizer settings (Bass and Treble) will affect the ALC as well. You can use the Wave 3 for Teamspeak and Discord. Compression can be overdone and when you do you'll crush your voice and make it sound unnatural . Boosting around 1k will accentuate your sibilance. I do the following: First, I get the mic as close to my lips as possible, 4 to 6 inches. it helps to have the metering capability of the compressor as you re-amplify the signal towards 0db. A compressor will make your voice a more consistent volume but will also make background noises louder. When they warm up they'll get quieter. I should also mention that if you run your drivers right at their limit, they will warm up. Audition lets you save your own presets, which is super nice. #4 - What you have listed are generalities - what is best for your voice, your mic, your distance to mic - gain levels, etc. It even helps pick the correct ratio. I want software that can add both of these to my microphone even when I am not streaming (Bonus points if it also includes noise gate and/or noise suppression). The point here is that gentle gating should be easy to overcome, just walking up to a cardioid mic in a live environment is usually enough to set the gate fluttering through proximity effect on a loud stage. Open streamlabs Desktop click the cog wheel (settings) go to audio, where it says Mic/auxiliary Device 1 click your mic name. Shave off the highs to also give the feel of warmth. Next best bet would be to look at some of the built in OBS options for audio / mics and and add a filter > noise compression. Its at -17 to -20 db. For OBS i have the compressor, noise gate and gain filters on with the settings what i thought sounded 'best'. Don’t use compression in the monitors, just the mains. Because it wasn’t being used for background “noise”, it was placed after the Tuning a compressor is particularly touchy and context-dependent, and practically an art in itself. It’s not the gear or lack of gear. 3) go to the sonar tab, choose the balanced mode, turn on clearcast AI noise to about 98%, and compressor for about 0,70 and it works perfectly :) P. The mic I'm using is just the microphone of an Astro A40 headset, which I'm fairly certain is a dynamic one. The game devs have set the audio levels on their games to be at the levels they’re at for a reason and I feel no reason to compress that. This is one of the easy ways to get more feedback due to use of heavy compression. Microphones pick up noise between a minimum and a maximum level, if you go above the maximum level it doesn't pick up the signal anymore. In the Audio Input Capture, is it better to select "Mic In (Elgato Wave: XLR)" or "Wave Link MicrophoneFX (Elgato Wave: XLR)" ? I noticed that when I select "Mic In (Elgato Wave: XLR)", I see only ONE Line for dB meter, but, I select "Wave Link MicrophoneFX (Elgato Wave: XLR)", then there are TWO lines for db meter The compressor on the 286s has "drive" and "density" which is different -- it's more of an automatic compressor. This makes the compression subtle. For more detailed help maybe ask on an audio production sub. A few reasons: Mic doesn’t match your voice Mic chain (pre and comp) when recording vocals not set correctly or don’t complement your mic Bad mic technique Hey there, I am trying to use voicemeeter banana to add a noise gate (and noise compression I guess) to my mic. Also be sure your mic is oriented correctly to your face depending on the pickup pattern of the mic. If the mic is a condenser like the Wave 3 this is a concern. (precisely the same as turning the gain on a less sensitive microphone up higher). Also to mention, I'm not looking to get any louder, I just want to limit my frequencies so my mic doesn't overdrive anymore. WHAT YOU'LL NEED. This guide will include the best settings and filters, such as the noise gate, noise removal and compressor for OBS Studio. Send vocals to a sub group if needed to get the compressor out of the monitors. The purpose of a compressor is to ONLY compress the loudest parts. "Normalize" has its uses but usually people really want "Compressor". I've seen videos with this microphone that have very good sound quality and streams with Blue Yeti, which supposedly is a little worse than Rode NT but I simply can't achieve it in settings. VoiceMeeter does have a few EQ settings you can move your settings over to as well. Any digital console will have a compressor available at this point, and some analog ones will have a basic one-knob compressor in line (don't expect miracles here). I like to use compression when things get a little erratic and the singer gets soft then loud to make a more equal balance. but playing with the settings might be the only option as the headset is pretty new, so doubt most people have found the "best Open up OBS and look at your microphone and check to see if it's working. Yeah, unfortunately compression and audio in general is HIGHLY specific to each set up. I'm aware of the options to compress my mic in programs like OBS, but is there also an option in for example APO to do so? I'm using the Auna 900b USB mic. I'm interested in what you have done to get it there. Try removing the compressors and see if that affects your sibilance. Minimize the distance between the musicians and the mic, and maximize distance between the mic and the mains. Never ever tracked a vocal in 2 decades with more than one compressor on the way in. The specific filter for your specific problem is the compressor. Compressing is a difficult audio subject and even more so when determining what the perfect settings for a compressor should be if you want great sounding audio. Hold down the ANF/Meter button on the top right a few times to get to the alc meter I use Element (a free VST container) as an insert on my mic input in Voicemeeter. If you are using a compressor then you will hear the fans and background noise more, not less. Get the stage volume quieter if possible. You have a nice mic. Changing a compressor's attack and decay time affects the compression at particular frequencies of the wave. It's things like that I'd like to know. The only way to get the microphone louder is to raise the windows volume for the device to about +7. Then listen to that and decide what, if anything, you don't like. First I do 3 passes of noise removal (from 5 seconds of ambient noise). i'm not the same guy or gal you asked, but i generally go with 1. In addition, I often use an 1176 in series with an LA2A/opto style compressor on vocals. I might make it faster for rap/hiphop though. Then add a compressor set at threshold of -30db, ratio of 4:1, and turn up the makeup gain (might be called "output" on the default compressor) to seat your volume in the yellow portion of the OBS audio meter. Once added, the noise gate does its job and blocks the background sound when I select the hardware out to my headphones while keeping the quality of the sound. I use very conservative compressor settings to only prevent clipping and very loud noises. I have the desktop audio set to around -7db and I have a compressor on my mic. Being a headset, the mic is right by my mouth, but out of range for popping to be an issue. In Filters click the + sign and then click VST 2. Propper gainstaging is important. super short and all ambient noise will constantly be lifted up, but a release of about 200 I have also been fooling around with adding second compressor with ducking, but it's hard to get the settings right. As for your compressor settings, try a 1:3 ratio with the threshold set 3dB below where your brick wall limiter's threshold is set. I use the Elgato Wave 3 which is a condenser microphone. You can hear background noise or room noises picked up from my mic. Also make sure you're a consistent distance to your mic, usually I'm 6 - 12 inches but your mileage may vary I can't suggest compressor settings because that thing is magic but there are plenty of tutorials online that explain it I've been trying to get better audio and I've finally gotten around to understanding filters and setting one up for my microphone, it tweaked my compressor to what sounds best and my limiter to -12, But i have no idea what to do for my game audio, I know I want it quieter than my microphone on average, so I would probably want a lower limiter like -10 or -8, but should my compressor be the You need to make sure you've set the sidechain/ducking source to your microphone in OBS. I'm more interested in your actual Gain Reduction. It's only to quiet a microphone that might otherwise be phasing the instruments on stage and muddying the mix. I have included a screenshot of my preferred Rough Rider settings. -I have been doing some test (I use 25 umbral, attack 2, release 30,imput gain 1. Normally you cut eq BEFORE compression in the mixing world but this is definitely one of the times that I find myself doing the there are multiple places in the chain where volume/gain is added, and depending on the components used, each stage can peak differently. Click on that and go down to Filters. I'll bite. The SM7B has a very pleasant time all by itself. 5. Here's my second compressor settings with ducking: Ratio: 2:1, Treshold: -25Db, Attack 3ms, Rlease: 20ms. He suggested keeping the ALC around 75-80% since the radio will cut back power aggressively at 100%. RTX Voice, a noise gate, a mild compressor, and a limiter. So Logitech hub updated and changed my mic settings YET AGAIN. be careful with compression in Monitors if you have the feeling you need to „fix“ something in the mix, go first to the source and try to improve that, then use processing if that doesn’t work or if you simply can’t change the mic placement/ mic in the Moment. This program is an audio 13 votes, 16 comments. This post focuses on what a compressor is and how to set up the free OBS compressor audio filter. release is the magic setting. Timthetatman's mic is painful for me to listen to because it sounds like he took 5k and just turned it all the way up. Set the ratio to 6:1, the threshold to -30, attack to 10ms, release to 100 ms, and now the least understood part: Output gain. Although most compressors have similar settings of threshold, gain reduction, knee, attack and realease; there are different compression types. Feb 7, 2019 · Been fine tuning my mic filters and playing with the Mic compression settings. 40, ratio 3,00:1) and for example, if I set lower compressor and use lower output gain and the opposite in the other case but in the end the audio sounds similar and similar problems happend (mine being a sighly saturation or mic/OBS stopping recording certain high Chill bruh you had a good description but it was off in two ways the amount compressed is dictated by amount over threshold divided by the ratio, this is important because in your example (4, 8, 3, 4, 5, ) the values below the threshold ended up being HIGHER then above, that will never happen (you’ll never flip the quieter parts to be louder than the loud parts with a compressor) Also it could be something as simple as the default mic device getting changed in Windows settings. Make sure you record your microphone into a different channel than the game audio. The MIC IN option is just the raw mic. Turn off all those settings and record yourself clean. A lot of people buy a condenser mic with a directional pattern and end up trying to speak/sing into the top or the back of it by mistake. 5. Probably some eq bass boosting or perhaps midrange cutting. Attack is how quickly the compressor turns on and starts actively compressing the signal. Also… Jul 30, 2018 · The more compression is done - less room left for the sound pikes over the threshold. It attempts to make quiet sounds louder and loud sounds quieter. Don't buy these sorts of things used, unless you can test before buying or have some sort of guarantee which allows you to return it if it isn't in good condition. Currently for my stream, I do not use equalization and I use compressor through OBS studio. Obviously I thought then I was just compressing far too much, but no matter what I set my settings to, I'm stuck in a limbo of the compressor either doing functionally nothing, or muting me when I get loud. By default the Compressor, when added, has ideal settings. You need a bit of gain after the compressor because the compressor will decrease the volume of the parts that are too loud, so you need to normalize it (adjust it to the level you want) using a gain filter. It's not really meant to be the first stage in a recording process. Compressor and limiter come next, in that order. The further away it is, the more likely it will be to pick up any reverberation/echo on top of your actual voice. Never even seen that. Holy Grail search: compact/portable dbx 286 alternative or interface with mic input, usb output, built in noise gate, compressor, eq which is below 250$ Im writing this topic not only to ask for help but also to share ideas with any other people with similar needs and maybe trigger some discussion among veterans about "outside the box" solutions. g. The advantage of this setup is that you still have your gate, comp, eq, etc when you talk to people on discord, ts or whatever, making sure that your mic output is consistent, and that you can use any VST you have. So far you are working at a per-app level. For editing I would do Compressor -> EQ -> Normalize to -1 dB. was wondering if any of you could help me figure out some mic settings when using obs. What are yours? Curious to see what works for other content ceeators! Oct 24, 2024 · Optimize your mic settings in OBS for professional-grade sound quality with our guide to must-have filters, EQ, compression, and more. 0, attach 3. 1-8:00. I have recorded myself with my Rode mic, and with my 2 headset mics. Parallel compression with heavy reduction is almost like low level compression in some ways. Once it adds this line you will need to find the file location for the Rough Rider plugin (I have attached a screenshot of its default location). With theatre performances, probably similar in variety to open mic nights, I usually end up with two compressors on each vocal. 7 dB to get a nice loud signal out of it. A soft knee gradually applies compression to the signal as it comes closer to the threshold, providing a smoother transition between the uncompressed and compressed signal. i've tried using anywhere from 3:00. In fact, I've actually had vocalists overload my interface pres with an SM7B and hardclip on occasion. 5 ratio, relatively fast attack 5-10ms, release around 100-200ms. Consider moving the mic closer, talking more gently and in a more controlled A little bit of saturation on the peaks before compression also goes a long way. Don't think of the compressor as being a separate thing but rather going hand in hand with the EQ. Sensitivity: 3. " This the the microphone channel with the VSTs working. No tech settings can mimic skills and a lot of practice. Whenever I laugh or shout pretty loud, the compressor I'm using will almost entirely mute my microphone. Get the Reddit app Scan this QR code to download the app now OBS Studio Microphone Settings -30db noise gate: close -52db open -40db limiter: -6db compressor (the compressor's make-up gain is included in the processor, a fundamental part of compression, as you're likely smashing the dynamics. Optimal mic settings are a specific balance of your voice, the mic itself, the room you’re in, and the balance of all that also depends on the sound you want to go for, the radio podcaster style, or more transparent and natural. Hit done. But I noticed that the output volume of the microphone is really low. discord you could maybe tweak when the mic activates if its a issue with noise. The compressor for a microphone would probably (IMO) be better called an equalizer if that term weren’t already taken. Compression is the bull in the china shop for beginning audio production enthusiasts. If you are looking for information on what each settings does within the filter, your best bet is to Google them. You can mess with the settings, record your voice, then play it back so you can see what you sound like on the air. This software is not ideal for me. I never use a compressor on the desktop audio. attack super fast. If it's too subtle for you, just put a second compressor after the first one, and do the procedure again (serial compression). I've seen streamers with good quality audio thanks to a good compressor, and also streams with bad audio due to their compressor settings being bad and making them sound like crap. This will vary vastly if you have a less adjustable mic, or a mic that doesn't sound good without EQ Also planning to add a de-esser but haven't found a free one that I like yet. It has variable compression for peaks vs RMS and it's very gentle. Turn off your compressor Speak normally, setting your MIC GAIN level so that you are peaking around 1/4 ALC. It doesn’t have that studio quality, “warm” tone. If you want you can DM me and I'll send screenshots of my exact settings. Go from there on what, if any, settings to use. In this case you want to selct your mic (in the program you are using to talk to your friends) to be "Wave Link Microphone FX. Frequency Smoothing: 3. is this on console or discord? heard console is pretty bad. For EQ I would at least remove any sound lower than 100 Hz. ) I highly recommend avoiding the included OBS compressor and gate. Your biggest concern is distance. this guy knows how to use his voice and "work the mic" to his advantage. Dude! Fantastic question I feel the frustrations of getting your mic dialed in just right I did a Reddit post about best mic settings for any mic in OBS and a YouTube video to follow along with! I’ll post links below! Reddit post . I put together a preset with EQ and compression that I know will get my raw vocal 95% of the way there. Turn your compression back on again, and set it to between 3 and 5. if you can get your hands on the latest issue of tape op, there is a guy who recommends feeding the mic into a compressor (he specifically mentions the dbx 160), dial down the ratio, attack, release, and boost the output to the point of distortion, then As a rule, the closer your mic is to your face, the less background noise you'll pick up. The answer is that each Channel of the Wave software can be set as either an ouput (speaker) or an input (mic). If i push the gain a lot into my compressor it clips so it has to have the right gain going into that but also after the compressor it goes through my audio interface which can also clip so the gain has to be right into that one too. A good starting ratio is 3:1. I also utilize channel and group compression beforehand to achieve these slower movements on the LR. I know some headset have built in compression. Sibilance / harshness is also less apparent after heavy parallel compression. Putting up a Noise Gate will help block out sounds below a certain threshold. Your compressor settings are vague. The important part is setting the threshold correctly to your voice, a good threshold for a natural speaking voice to trigger ducking is around -30 to -40 dB but you also want to make sure the ratio you apply is low, between 1. My philosophy is many to few to 2 with subtle compression at every stage to funnel everything into a cohesive mix. I thought I bought a quality mic but it sounds the same as any random headset mic. Under Mic/Aux there's three dots for a menu. You really can't fix the streamer's mic peaking on your side, best you can do is use FrankerfaceZ's compressor. Remove any mic filters that you already have applied. You'll have to mess with the compressor settings to get the sound you want. No EQ, no compression, no effects, nothing. Compressor and noise gate obviously also a part of the chain but shooting a slightly boosted low end eq curve into the compressor causes a different end result. So i have the HyperQuadX usb condenser microphone. fuck that guy who said it's garbage - it's not. Even on the out of the box settings and customized one. Essentially that is what I would do for you anyway. Found an 8:1 ratio works well but still continuing to tweak it. You can also put in a Compressor to lower your voice to a certain point so it never gets too loud. This is a lot easier to adjust if you have a compressor that shows you the compression curve and a visual indication of where on the curve the signal is currently. I normally use a relatively fast attack for live vocals, around 8-15ms or so. Buuuut, if I go in Windows itself to test my mic, it accurately reflects the gain I have adjusted. It's designed to be the final glue that pulls your dynamics in a little pit without making it sound like you put your podcast through a pasta roller. honestly from what people have said, the mic is just trash. The microphone's sensitivity does not affect how far away it can pick up sounds! That's a very common misconception, even among audio professionals. 5, knee 1. Mic Gain : 36db (max), whatever compressor settings (light/medium/heavy), Limiter : OFF Mic Distance 0inch (yes i basically eat the mic) and scream into the mic, the compressor settings seems to add a limiter around -4db even with the limiter settings turned off Compression really depends on the singer as well. If your release is so slow that the compressor needle doesn't go back all the way, you're only losing headroom. THIS is where you control your mic's mix volume. It's not very good (poor hardware compatibility especially on iOS, can't change gain or volume in Windows, poor audio quality e. I am no audio expert but adding EQ after compressor defeats the purpose of a compressor. It's set to 100% noise suppression. A more sensitive microphone does not pick up more ambience sounds - it picks up all sound equally more. 1, makeup 1. Sounds like there is something wrong with the microphone itself. If you do then adjust it down a bit more. I use the Fifine A6V Ampligame mic btw After you do this you can configure the rest on OBS, by adding filters on the Mic source. If mishandled one can increase noise in the mic preamp. 5-2. Make sure that after doing these steps, your default mic is set to SteelSeries sonar (like on the first screenshot) This mic is designed for close-mic'ing. You are correct. The threshold for the compressor will vary depending on gain structure and how loud the input is. I followed the K0LWC video for 7300 mic gain and compression. In the mixer you will now see your mic meter this click the cog wheel next to the mic name under neath the sound meter Add filter (this can easily be messed up and proper order is important) Until now, whilst recording/streaming I've used a compressor to reduce the peaks, usually with a threshold somewhere between -15 to -12db with quite an aggressive ratio, then a limiter to straight up slice off all remaining peaks above -6db - giving me a bit of wiggle room to play with later. 1 but nothing seems to work. Either you need to speak closer to the mic (Shure website recommends 6" or closer), or something is fucked up about your windows microphone/ Scarlett driver settings / discord settings. I watched a video about uninstalling and reinstalling USB drivers, but that didn't help. You can also re-route audio if needed, such as your mic going through Nividia Broadcast first (or second), then through VoiceMeeter. You should instead consider something more global, such as VoiceMeeter. That and the EQ of a mic, things like that I am completely clueless. BEST OBS Mic Settings - For ANY Mic (OBS Filters: Noise Suppression, Compressor, Noise Gate) The mic gain and compression setting are active in the voice recorder, at least they are in my 7100. Get her to get right on the mic if she doesn’t already. However that only lowers the volume when they get loud, but the peaking will still be there. For software i run RTX Voice to suppress the mechanical keyboard clicks which are loud as hell. Going to be honest here - Audio stuff is dark magic to me. Thanks in advance! The threshold is usually the only thing I will adjust and I will either open it up or close it down to get me to the -2. With these settings, I'm getting a much better average power output, and the audio still sounds clean. I could hear m This depends upon your environment and your microphone. I also noticed that in more recent streams, my boyfriend and I seem to get louder and louder and our mic echo has gotten worse over time. you probalby want a EQ(dialed in for your room and voice), a Compressor with 3ms attack, 100ms releas and the threshold set to give you -2 or -3 db of gain Here's a general overview. You'd have the threshold set just low enough to get the compressor working a bit during normal/"loud" speech. My microphone is Rode NT USB and when I either look at my past streams or recordings, it sounds echoey and not very good for some reason. #3 - There isn't a compression recipe that works for all. for example adjusting a compressor you will need a different threshold levle if your peaking at -10 or peaking at -15 on the loudness meter . My screams are not detected by my mic and it cuts me off at high ranges. You’re going to have to learn how to actually EQ. Reply reply More replies More replies Mic placement is also really important, if your microphone is too far away, it can aggravate the issue, ideally you want your microphone to be no more than 6-12 inches away from your mouth. 5, release 110 Limiter settings Gain 0 db, and output level -. EQ will help adjust the tone and compression will tighten the envelope of the sound. I have my MIC setup so that it sits in front of my keyboard, below my monitor, almost directly into my face. I use a fifine 669b microphone. 5:1 and 2:1. You can create post-compressor makeup gain on that compressor knob, and ALSO (perhaps unwittingly) on the channel fader. It's all bad. Good mic, quality preamp and D/A converter. Mic gain will be different for everyone depending on how and where they talk into the mic, After adjusting the compressor etc you want to set the mic gain so that the ALC meter doesn't go outside the box when you're talking, but hovers relatively high in the box. Expect it to take weeks to be productive with this tool. So put your threshold in a way that not everything is compressed, and the music can breathe in between. 1. and the compressor you choose to use are all variables. I've seen Timthetatman's mic and how he is able to just hit it and it's comfortable to hear and doesn't burst your eardrums. fuaszw cbsup ivdck mkrca nrul eshw avxb zsiupn qpdbyh iut